Weekly Short Stories

Each week The Literary Roadhouse podcast hosts deeply read and discuss one short story.

Read Short Stories or Ray Bradbury Cries

Let’s talk Ray Bradbury. You have likely heard of him. If you’re American, there is a good chance you read his novel Fahrenheit 451, or the Cliffnotes thereof (I’m onto you), in highschool – or kindergarten, if you went to private school. You may recall that the title refers to the auto-ignition point of paper where it catches fire without being exposed to an external flame. You were also probably taught that the book is about government censorship, and that Bradbury wrote this book in the early 50s in response to McCarthy era book banning.

That interpretation makes sense if you ignore everything Bradbury had said since the late 1950s. Shortly after the book’s release in 1953, Bradbury reinforced this interpretation in several interviews about the book, but in the late 1950s, his comments regarding Fahrenheit 451 became more nuanced.

His real purpose in writing the book, he insisted, was to warn readers about an illiterate society infatuated with mass media. Indeed, in the book, earbuds come between Mildred and Montag in their marriage. The government only begins censorship after society has abandoned books in favor of other types of media.* Bradbury stressed his concern that other types of media would replace books. Sound familiar?

Bradbury is decrying censorship, but he blames society for letting it happen. Don’t let Ray Bradbury down. He even wrote 27 books and over 600 short stories just for you.

Six. Hundred.

You take that number and then you go over it, and that’s how many short stories Ray Bradbury wrote. Here’s a list. Notice how the Wikipedia page dedicated solely to Bradbury’s short stories is listed as incomplete.

From now on I am going to rate all short stories on a scale of 1 to 6 Bradbury’s. Bradberries? Someone, anyone, please design for me a type of berry (raspberry?) with Ray Bradbury’s face imposed on it. I will use this berry to judge all other short stories.

Right, this post has a point. Well, now there are two actually.

1. Fahrenheit 451 is talking about us, more than it’s talking about the government. Don’t let Bradbury’s dystopia come true.

2. If you don’t read more stories, I will award you zero Ray Bradberries. Zero.

*Don’t remember this? Fahrenheit 451 is only 159 pages long. It’s worth a reread (or a first read).


You Can Read Better Despite a Low Attention Span

When I tell people that I’m a slow reader, I imagine they assume I’m not smart or well read. None of this is true. In fact, I was a fast and voracious reader until college. After that, my reading of fiction took a nose dive and the type of reading I did changed. Instead of reading stories, I was reading non-fiction and scientific journals. When college ended and I first picked up a novel, I found reading extremely difficult.

I wondered if my brain was broken, as it jumped all over the page. I set aside my well-loved classics, and read young adult fiction. Not because it was lesser, but rather, the fast pace of the plots, constant action and simple sentence structure allowed me to read faster. I actually think this is part of the popularity of YA for adults. Lots of story to keep a TV, Internet and cellphone-trained mind focused; Michael Bay on paper has its benefits. The problem was: I didn’t actually like most of those books so eventually I stopped reading all together.

I’d discovered the first truth in reading and comprehension. It was a truth I would understand more fully when selling reading programs to families of kids who were either slow readers or had ADD. Often when you read something and the words make no sense, it’s because you are reading too slowly for your brain to process the ideas behind the words. If you’ve ever helped a kid sound out a word, you’ll understand this idea. If the word is really hard and takes too long to sound out, the kid will often have no idea what the word meant after spending all their energy trying to make it sound right. So, if you are reading each individual word independently and slowly, then the words don’t link up right in our brains and bam… a paragraph goes by and you have no idea what you read. This goes for everyday people, people who sub-vocalize and yes, people with ADD.

Here are the tools I used to enjoy fiction again

Read every day – Reading is like a muscle and the more you read the better reader you will be. This is why many attorneys or new grads suddenly struggle with fiction. They are just out of practice after years of reading detailed non-fiction which is a very different type of reading. The best way to fix this is to read a lot of fiction, but reading six hours on Saturday will have a much smaller effect than reading an hour a day. It is the constant flexing both of the reading skill and the skill of focusing that will improve your comprehension and ability to stay sitting with a book in hand.

Start small – So you want to read an hour a day but you haven’t read fiction for weeks or maybe months. Setting that timer for an hour may be a quick road to failure. When I began running, I used a program that took me from walking to running in tiny increments. In my opinion, becoming a better reader is best approached the same way. Start with ten minutes if you have to, then move it to 15 when that feels easy and like a daily habit. Then 20 and so on. Starting small also goes with the material you choose. If you are only able to focus for 15 minutes a day, Middlesex is going to feel like drudgery and it may take months to feel that first taste of success. This is one of the reasons, Literary Roadhouse focuses on short stories. They are complex and interesting for seasoned readers of literary fiction, while being accessible and non-threatening for people who haven’t read literary fiction for a long time if at all.

Finish what you read – Abandoning books works well for seasoned readers but if you have a hard time focusing, you may find great books… boring. Eventually abandoning an irritating book will be fine, but at first… choose shorter books and finish them. Train your brain to look forward to the end of a good book. When I read Orlando, the first two chapters were pure torture, the language was hard. I had to read much of it aloud but about halfway through my head adjusted to the word jazz on the page and I had one of the most enjoyable reading experiences of my life. Had I set the book down during the first two chapters, my life would be less rich for it.

Quiet but not too quiet – Mama was right. Our brains can’t focus well will lots of noise, but she was too strict. If a room is too quiet, I often find my brain jumping all over the place and antsy. We have trained our brains to focus on many things at once. It needs stimulation or it just bounces. ADD makes that even more pronounced. Same with folks who play a lot of videos games or watch a lot of TV. So while you need quiet, you also need something to keep your brain humming. My solution is to play music without lyrics, classical concerto’s, movie scores and the like. Hans Zimmerman is great for reading. So is Chopin, Tchaikovsky and the rest. Find suites that aren’t overly intense (cello concertos are for the win) and you may find it easier to focus on the page.

Read aloud – Yep, remember what I said about the first time I read Orlando by Virginia Woolf? This is how I solved the problem of language that is too difficult to read fast enough to process. By reading aloud, I am allowing more parts of my brain to do some heavy lifting. In addition, for some pieces, I can enjoy the musicality of language better. There is a reason many people say that poetry must be read aloud. For some books, there is nothing better.

Train your eyes – Stop looking back… no seriously! Try this for a moment, time yourself reading a page. Then time yourself again while putting paper over the lines you’ve already read. We spend a lot of time re-reading without actually realizing it. It’s fine to go back if you need to, but train yourself to make it a choice rather than letting your subconscious drive your eyes around all willy nilly.

Audio Books – Audio books are still books. I hate this idea that they are somehow less than “reading.” They actually take longer to finish and they are great for drives to work or a good walk. I love audiobooks, but in addition to fun, they are a great tool if you are out of the habit of reading. Audiobooks get you used to absorbing stories that aren’t attached to a screen. I find that when I listen to a lot of audiobooks, I actually pick up paper books more often. So don’t belittle or feel embarrassed, audio books rule and no one can tell me otherwise.

Acceptance – There is nothing wrong with being a slower reader. Sure, we may see friends or Booktubers reading 5 books a week, but are they better? No. What is best is learning to enjoy reading and embracing a long lost love of the story. I am glad that I slowed down. Between Middle school and my 20’s I’d read Anna Karenina at least six times. I read it fast and enjoyed the story more than anything else to that point. Then I read it years later, as a slower reader and found that the book changed. The language felt richer and I saw things in the story I hadn’t seen earlier just because I had more time with the book. Just as Mortimer J Adler teaches in his opus, How to Read A Book, there are different types and levels of reading. The truly great reader can perform at all levels and will read differently depending on the type of reading they are doing. Your goal should never be just to read more or faster… the goal in my opinion should be to read better.

The First Story is: Drumroll Please

The story we’re discussing for the first episode is, The Story of An Hour by Kate Chopin. You’ll still enjoy the episode if you don’t read it, but you will enjoy it even more if you participate and get ahead of spoilers. Here’s a link to read the story for free.

February 3rd at noon PST 8pm GMT will be the first live recording for Literary Roadhouse. To watch live follow this link and add a reminder. The audio only episode will be available on this website a couple hours after recording. Because of the way iTunes works it may take anywhere from a couple days to weeks for our podcast to be approved, but it will be available on iTunes, Stitcher and all the rest as soon as I can arrange it.

A Note From Our Final Co-host

First of all, I want to give a big thank you to Maya for thinking of me to be a part of the Literary Roadhouse, and also to Anais and Gerald for making me feel a welcome part of the team. I haven’t known any of them for long, but it feels like I have, and I’m happy with the rapport that we’ve already established; it will only get better.

I’m happy you’re here too, yes you, our listeners, our readers, our fellow comrades on this new and exciting journey. Just one story has the power to grip you and transport you to another world; to a place unknown, unfamiliar but exciting. Think then of, with one short story a week, all the places we can go to, the author’s minds that we can glimpse into, and better yet, the fact that we have somewhere to share that experience with other lovers of fiction, here at the Literary Roadhouse. I’m looking forward to seeing other people’s reactions to the stories we read, to hearing thoughts different from my own and learning about how different parts of stories influence different people in different ways. I’m looking forward to hearing from you, hearing your thoughts and feelings about the stories we encounter or about fiction in general. Most importantly, I’m looking forward to encouraging people to read more, especially those people who haven’t yet had the experience of picking up, reading and enjoying a really good book, one that teaches them something new or leaves them with lingering emotions that have the power to affect their lives even after they’ve finished with the story. Because fiction is a beautiful thing, and it’s great to have the opportunity to share it with people who may be missing out. So really, this is all just to say a big hello to all of you, and to let you know that I’m looking forward to starting this journey.


Why I Need An Online Reading Group

Do you read what I read?

Maybe. Probably. I don’t read obscurely. Let me prove it. The last five fiction books I have read are The Dispossessed by Ursula K. LeGuin, War of the Worlds by H. G. Wells, 2BR02B by Kurt Vonnegut, The Green Mile by Stephen King, and World War Z by Max Brooks.

See? Nothing rare or unknown. Those books have been widely read, and yet I have very few people to discuss them with. It’s a bizarre complaint in the age of the Internet. How have I not found a community to discuss books with?


The best answer I can invent, with no guarantee that this is my truth, is that I like to discuss stories with people that I know.

I have some evidence to this theory. When I finish a book, I harass my closest friends and family with a froth of words that loosely describe my rabid feelings about what I just finished. Take care to remember that these poor souls have not read whatever whipped me into a frenzy. And yet, they bear through it (often with admirable enthusiasm), knowing that eventually the caps lock will be released. Eventually, I have to breathe. Eventually, normal human interaction will begin anew.

But that isn’t fair to them, and now I have this podcast: the unexpected salvation to my personal relationships. But more importantly, a community where I can discuss stories with people that I know, and will over time get to know better.

I am talking about my co-hosts primarily, but the community isn’t limited to just the four of us. It’s open. Listeners can become commenters at will, and the most vocal will become as known to me as my co-hosts are. I can’t wait to meet them.

I am also particularly excited by the choice to read short stories. They will keep the community glued. They are short, accessible, and often jam-packed with as many thought provoking kernels of wisdom and questions as a novel.

Some of you may have noticed that I listed 2BR02B in my list of books. That is a short story, and still, I frothed over that story just as much as any of the other novels on that list. Short stories are not truncated novels. They are full stories that capture as much of humanity as a novel can. They can be just as funny, seductive, discomfitting or scary as any long form book.

And you can read them in one sitting. Perfect for a weekly podcast. All the story to chew on, none of the time-suck. I hope you’ll read some short stories with me — that you’ll read what I read.


Why I Started Literary Roadhouse

I wasn’t a short story reader. During high school I was busy being seduced by poetry and classic novels. The first time I remember reading a short story was for an assignment for a class at the local community college. We were reading Raymond Carver’s Where I’m Calling From. As a high school student with genius test scores, I only read two stories. After all, I was too busy reading Angela Davis to do more than I needed to.

Yet, after dozens of moves, often cross country, I still had the book. Periodically, I would pick it up and roll its pages through my hands. Then, I began to write my first novel.

One day while staring at my thick manuscript, I realized I didn’t have a clue as to what the hell I was doing. So I wrote a short story for practice, and then another. I found them natural and difficult at the same time, like poetry. The power was in the details and those details called to me. They were a testing ground and I slowly fell in love. I was sleeping beauty waking up to a world of short stories just waiting to be read.

Short stories don’t seem to be something people naturally pick up to read anymore. I think they are something you come to on accident or… after writing a story and falling in love. That is the main reason I founded this podcast and website. I’ll admit it; I am selfish. Learning, obsession, and community were needs I had and after listening to dozens of podcasts, the gap was clear.

My vision is ambitious and I don’t apologize for it. I toss around sentences like, “I want to create more literary readers,” “let’s kill the impression that literary fiction is stuffy,” and “I want people to rediscover the fun of literary short stories.” But my deepest darkest goal is to become a better reader, become a better writer, make good friends and explore this art that I crave.

I am beyond excited and a little intimidated. Surrounding myself with great co-hosts helps to calm my nerves. The excitement is growing and I can smell a storm rising. It’s a strong storm full of surprises and it whispers, “go ahead, close your eyes and jump.”

~ Maya

In all seriousness, this is an amazing opportunity

I was friends (in as much as someone who only exists through the portal of a computer can be a friend) with Maya through the Self Publishing Podcast “Fiction Unboxed” Kickstarter campaign last year. Several of us followers of the project got together in a Hangout of our own, chatting about the project, the ideas, the story being being written in front of our eyes. Maya was one of the members of the Hangout.

I know she’s been fairly prolific with her own podcasts and hangouts since then, and I’ve had my own projects to keep me busy.

And then, on Twitter earlier this week, she Tweeted

Well, I thought I qualified on all three counts, so I contacted Maya. We chatted on Twitter & email, and an audition was set up for the following day.

I joined the audition Hangout, and met Anais, our co-host, for the first time. I answered the questions put to me truthfully and honestly (they’re not the same). We laughed. I gave them my opinion on literary shorts.

I must have done something right, because after a short time, I was offered the opportunity of joining Maya and Anais. I’m thrilled and excited, and can’t wait to help building the Literary Roadhouse into an exciting, informative and interesting podcast.


The Logo Has Landed

This morning my email box buzzed next to my floor and I rolled over with a groan. The minute I tapped the screen, my eyes shot open with excitement. We have a logo and it is a much better than any thing I imagined. For that, I have an entire community to thank.

I met our logo designer, Anita Sølver, over the summer when Johnny, Sean and Dave from the Sterling and Stone held their fiction unboxed event. For a month, a great group of people watched the Self Publishing Podcast guys write and we learned from their meetings and rough drafts. By the end, I’d gotten to know Anita as a strong and supportive member of the indie publishing scene. But, I had no idea she was an illustrator!

Months later, she designed a great logo for the To Be Read podcast. It was cute and fun, and fit a podcast of writer dad’s perfectly. I ran to her portfolio and her page was covered in amazing fantasy that reminded me of my childhood sticker collection. Yet when it came time to look for a designer for Literary Roadhouse, I hesitated. I’d only seen her fun and youthful work. For this grand adventure, I wanted strong and sophisticated. I took a deep breath and tossed it to her. Honestly, I just didn’t know who to ask and something in my gut kept whispering her name. I did a first draft website to give her tone and feel. Then I waited.

The first draft blew us away, but this morning I knew that Anita was the perfect designer for us. She was professional, talented and responsive to our many questions. I’ve re-designed the entire website around the new logo and know that it will take us from baby podcast to convention T-shirts. I hope you enjoy the new site and cannot possibly thank her enough. If you are looking for a great freelance illustrator, you can find Anita at soelver.dk


The Case of the Third Co-host

Gerald Interview

The Suspect: Gerald Hornsby

The Mystery: Will Gerald join Literary Roadhouse as a co-host?

Evidence: Shortly after concluding today’s three-way video call with Gerald, Maya and Anais met on a call of their own. They agreed that Gerald will bring great energy to the podcast. “He has a great voice,” they said, “And his interests differ enough from ours that opinions and short story submissions should vary.”

They decided to invite him to join the podcast, but had no way to know for certain that Gerald would accept. They had a hunch that he would, but they’re serious podcasters. A hunch isn’t enough. They needed facts.

Anais believed that if Gerald submits to Maya a good headshot and a short bio for use on the podcast webpage, then that is a sure sign that Gerald is in. She slipped him a short story, left in an inbox he was sure to find at least six hours into the future. Time zones were never her forte.

She signed it, perhaps a bit too hopefully,

Your fellow co-host.

Literary Roadhouse Coming Soon!

Welcome to the Literary Roadhouse Podcast and reading community. We are a diverse group of readers who know the truth. Literary fiction isn’t boring; it isn’t stuffy either. Literary fiction stands the test of time because it is touches on the deepest parts of what makes us human. Literary fiction is important and fun. It sparks tears, arguments and yes, even revolutions.

We are evangelists and fans of this art form and weekly we will have a rowdy old time discussing a wide diversity of short literary fiction. The stories will be easy to find, so you can read along and join in the next great conversation. If you love literary fiction, but when talk to friends about your latest read their eyes glaze over, welcome home. If the last time you read literary fiction was in a boring class, we have a treat for you. So hang on tight and enjoy the ride.